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As hip-hop and electro exploded into the world, body-popping and electro boogie-ing characters also populated Haring’s paintings with much of the kinetic energy of his work part inspired by the dancefloor and street moves of B-Boys and B-Girls.īut the decisive moment in creating Haring’s musical tastes and inspiration came with a chance discovering of the Paradise Garage one night in 1984 while walking through the streets of the West Village with his friend Fab 5 Freddy. In 1981 Keith Haring, Fab 5 Freddy and Futura 2000 organised ‘Beyond Words,’ the first downtown graffiti show on the top floor of the Mudd Clubb, with Afrika Bambaataa DJing at the opening, while downstairs the sounds of spiky punk/dance music played to a dancefloor populated with New York’s new punk and no wave glitterati – David Byrne, Deborah Harry, The Contortions et al – who mixed with poor East Village aspiring artists and Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie.Īt his early solo art shows Haring hired break-dancers and DJs (including his partner Juan Dubose) to play at gallery openings.
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Music played a central role in the creation of Haring’s art.
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This was the world of Keith Haring’s New York a collaborative world where the numerous artists he worked with were also friends, all inhabiting the same fertile, febrile and creative world of New York City in the 1980s. Musicians were also artists, film-makers or actors. Like his friends, including the artist Jean-Michel Basquiat and graffiti artists Fab 5 Freddy, Lee Quiñones and LA II, Haring helped first bring the aesthetics of graffiti and street art to New York’s downtown into both the fine art world, with his own shows at the Shafrazi Gallery and Patti Astor’s Fun Gallery, as well as into the alternative punk and new wave club scene, curating art shows at spaces like Club 57 and the infamous Mudd Club.ĭuring this time the art and music worlds of downtown New York, especially that of the East Village, were colliding as the musical boundary lines between punk rock, dance music and hip-hop also blurred.
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Keith Haring was one of the key members of a group of New York-based artists who redefined the boundaries of modern art in the 1980s. During his short time on the planet his work featured in over 100 solo and group exhibitions across the world and was seen on subways, in public spaces, on club flyers and consumer products. Keith Haring was diagnosed as HIV-positive in 1988 and died at the age of 31 on February 16, 1990. If you were looking for a person to guide you through the wide variety of nightclub scenes of downtown New York in the 1980s, then Keith Haring would have been your man. Haring’s many friends and collaborators included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab 5 Freddy, William Burroughs, Jenny Holzer, Yoko Ono, Bill T Jones, Larry Levan, Timothy Leary, Futura 2000. All formats of the album feature original photography, extensive sleevenotes and interviews.
#50 TECHNO ELECTRO TUNES VOL 2 RAR VIETNAM DOWNLOAD#
The album comes in deluxe artwork and three formats: Double CD + 48-page book 3xLP + download vinyl version. The World of Keith Haring coincides with the presentation of the first major exhibition in the UK of Keith Haring’s work at Tate Liverpool on now. In collaboration with Tate Liverpool, Soul Jazz Records release this stunning new collection entitled The World of Keith Haring featuring music influential to the artist Keith Haring including Fab 5 Freddy, Yoko Ono, Gray (Jean-Michel Basquiat’s group), The Jonzun Crew, Larry Levan, Talking Heads, Sylvester, Johnny Dynell and many others.